|M.F.A.||University of Massachusetts, Amherst, Massachusetts|
|B.A||Brown University, Providence, Rhode Island|
|2008||John Simon Guggenheim Memorial Foundation, Fellowship|
|2005||Bogliasco Foundation, Liguria Study Center Residency|
|2003||New York Foundation for the Arts, Fellowship in Sculpture|
|2003||Center for Humanities, Wesleyan University|
|2002||Rockefeller Foundation, Bellagio Residency|
|1998||Fulbright Senior Scholar Research Fellowship: India|
|1991||Boston Society of Architects, Award For Design Collaboration shared with Kennedy and Violich, Architects.|
|1985||Massachusetts Artists Foundation, Individual Artist Fellowship|
|1984||National Endowment for the Arts, Individual Artist Fellowship|
|1984||Boston/Kyoto Sister City Traveling Grant|
|1980||Massachusetts Artists Foundation, Individual Artist Fellowship|
|1979||National Endowment for the Arts, Art in Public Places Planning|
|1976||National Endowment for the Arts, Individual Artist Fellowship|
|1976||American Academy in Rome, The Rome Prize: Sculpture|
|1975||Massachusetts Artists Foundation, Individual Artist Fellowship|
|2012||National Academy Museum, NYC, Annual Exhibition|
|2011||Zilkha Gallery, Wesleyan University, Double Vision|
|2010||Gallery Nature Morte, New Delhi, India, Spiral Jetty|
|2010||San Diego Museum of Contemporary Art, Primary Forms|
|2008||Proteus Gowanus, Brooklyn NY, Mend|
|2006||Proteus Gowanus, Brooklyn NY, Library|
|2006||Exit Art, NYC, The Water Project with Aki Sasamoto Colossus|
|2006||William Benton Museum of Art, University of Connecticut, Proximities of Distance|
|2005||Exit Art, NYC, The Praying Project with Aki Sasamoto Everything|
|2004||Paul Mellon Library, Choate Rosemary Hall, The Library Project|
|2003||William Benton Museum of Art, University of Connecticut, Masala|
|2003||Wesleyan University, Olin Memorial Library, The Library Project|
|2001||The Cathedral of Saint John the Divine, NY, A Threshold of Spirit|
|2000||Rotunda Gallery, Brooklyn NY, Wunderkammer Wonderworks|
|2000||Bose Pacia Modern, NY, Boundlessly Various and Everything Simultaneously|
|2000||San Jose Museum of Art, San Jose CA, Blurring the Boundaries|
curated by Hugh Davies and Ron Onorato
|1999||Scottsdale Museum of Art, Scottsdale AZ, Blurring the Boundaries, curated by Hugh Davies and Ron Onorato|
|1998||Nature Morte, New Delhi, India, Everywhere Chidambaram|
|1998||Real Art Ways, Hartford CT, from L’ENCYCLOPEDIE: Miriotier|
|1997||Deutsche Bank, NYC, World Views organized by Creative Time|
|1996||Katonah Museum, Katonah NY, Making Sense|
|1996||Wesleyan University, Zilkha Gallery, Middletown CT, Earth Again|
|1996||Caldwell College, Caldwell NJ, Testing Transcendence|
|1995||Richard Anderson Gallery, NYC|
|1994||Caldwell College, Caldwell NJ, Working Paper|
|1993||Elsa Mott Ives Gallery, NYC, Transcending Boundaries|
|1993||Sculpture Center, NYC, Devices|
|1991||Snug Harbor Sculpture Festival, Staten Island, NY, Kill Van Kull|
|1991||Wesleyan University, Zilkha Gallery, Middletown, CT, Field of Play|
|1991||Sculpture Center, NYC, Lost and Found|
|1990||Damon Brandt Gallery, NYC|
|1990||Boston Center for the Arts, Installation and Place, O Sole Mio|
|1989||Wesleyan University, Zilkha Gallery, Middletown, CT, …or ever the silver cord be loosed, or the golden bowl be broken|
|1989||New Mexico State University Gallery, Las Cruces, NM (under)MINING|
|1989||The Berkeley School, NYC, Korean War Memorial Finalist Exhibition|
|1988||Williams College Museum of Art, Williamstown, Massachusetts|
Deus Ex Machina
|1987||San Diego Museum of Contemporary Art, Parameter 8, San Diego, CA|
|1987||Rastovsky Gallery, NYC New, Renaissance Voices|
|1987||R.C. Erpf Gallery, NYC, Finer Distinctions, curated by Joseph Masheck|
|1987||Stux Gallery, NYC, Transvision|
|1986||Stux Gallery, New York, NY, New Sculpture|
|1986||Atlanta Arts Festival, Atlanta, GA, Site Works|
|1986||Stux Gallery, New York, NY, Gallery Artists|
|1986||Stux Gallery, Boston, MA, Gallery Artists: Part II – Sculpture|
|1986||Stux Gallery, New York, NY, Inaugural|
|1986||Rose Art Museum, Brandeis University, Waltham, MA, Sculptural Objects and Installations, High Mesa|
|1985||East Carolina University, Greenville, NC, New Ground|
|1985||University Gallery, University of Massachusetts, Amherst, MA, Ten: Tenth Anniversary Exhibition|
|1985||Whitney Museum of American Art, Fairfield County, CT, Working on the Railroad: Art Projects for the Northeast Corridor, South Station Project|
|1985||Stux Gallery, Boston, MA, Gallery Artists: Part One-Sculpture|
|1984||Worcester Art Museum, Worcester, MA, Artists Curate, Holy Wars|
|1984||Stux Gallery, Boston, MA, Small, Smaller, Tiny|
|1983||Hayden Gallery, Massachusetts Institute of Technology,|
Cambridge, MA, Beyond the Monument, South Station Project
|1983||Bell Gallery, Brown University, Providence, RI, Sculpture/Installations|
|1983||Stux Gallery, Boston, MA, Summer Review|
|1983||Danforth Museum, Framingham, MA, Second Sight|
|1982||Stux Gallery, Boston, MA, A Courtyard, an Axis, an Ambulatory|
|1982||Museum of Fine Arts, Boston, MA, Graham Gund Collection|
|1982||Stux Gallery, Boston, MA|
|1981||University Gallery, University of Massachusetts, Amherst, MA, Revision: An Installation|
|1981||School of the Museum of Fine Arts, Boston, MA, Architectural References|
|1980||Washington Project for the Arts (WPA), Washington, DC, Drawn in Space|
|1980||University of Rhode Island, Kingston, RI|
|1979||Institute of Contemporary Art, Boston, MA Six Sculptors|
|1977||American Academy in Rome, Italy|
|1976||American Academy in Rome, Italy|
|2007||Office of Chief Medical Examiner Forensic Biology Lab, New York City,from L’Encyclopedie, 20 digital prints|
|2004-08||Superior Courthouse, New Britain, CT, Rail of Justice|
|1990-95||South Station Railroad Terminal, Boston, MA, Destinations. Permanent sculpture commissioned by the Federal Railroad Administration and the Massachusetts Bay Transportation Authority|
|1986-98||Thompson Square – Charlestown, MA. Commissioned by Charlestown Preservation Society and Brown Fund of Boston.|
|1985||Liberty Square/Market Center Intersection, Baltimore, MD. Commissioned by Market Center Development Corporation of Baltimore.|
|1985-87||University of Connecticut, Storrs, CT, Bench: Mooring. Commissioned by the Connecticut State Commission on the Arts.|
|1984||University of Massachusetts, Amherst, MA. Separate Ground, permanent outdoor sculpture at Chancellor residence|
|1983||Institute of Contemporary Art, Boston, MA Second Mesa, a performance collaboration: Sculpture/Sets, Jeffrey Schiff; Choreography, Douglas Dunn; Music,John Driscoll/Richard Lerma|
Benjamin Genocchi, THE NEW YORK TIMES, October 19. 2003
Cori Bolger, HARTFORD COURANT, September 24, 2003
John Adamian, HARTFORD ADVOCATE, September 11, 2003
AMERICAN LIBRARY, November, 2003
LIBRARY JOURNAL, November 15, 2003
Ana Honigman, TIME OUT NEW YORK, August 16, 2001
Lilly Wei, ART NEWS, October, 2000
NEW YORK MAGAZINE, September 11, 2000
Holland Carter, THE NEW YORK TIMES, July 7, 2000
Holland Carter, THE NEW YORK TIMES, July 14, 2000
Kim Levin, THE VILLAGE VOICE: Voices Choice, June 27, 2000
THE NEW YORKER, July 24, 2000
THE HINDU, December 18, 1998
EXPRESS, December 10, 1998
Owen Drolet, FLASH ART, March/April 1998
Kevin Clapp, HARTFORD COURANT, January 21, 1998
Anne Harnish, SCULPTURE, January, 1996
Christine Temin, BOSTON GLOBE, May 28, 1995
George Melrod, SCULPTURE, March/April 1994
Faust, Gretchen, ARTS MAGAZINE, November, 1991.
BALTIMORE SUN, March 7, 1991
Wilson Lloyd, Ann, CONTEMPORANEA, October, 1990.
Phillips, Patricia, ARTFORUM, September, 1989.
Johnson, Ken, ART IN AMERICA, February, 1989.
Biemiller, Lawrence. CHRONICLE OF HIGHER EDUCATION, December 18, 1988
BOSTON GLOBE, “Critic’s Tip”, September 19, 1988.
McDonald, Robert. LOS ANGELES TIMES, March 6, l987.
Pincus, Robert. “Exhibition Shows: The Common & Uncommon Ways,”
SAN DIEGO UNION, February 5, l987.
Stapen, Nancy. “New Works by New England Sculptors,” BOSTON HERALD
Grey, Channing. PROVIDENCE JOURNAL, January 7, l987.
Temin, Christine. BOSTON GLOBE, January l7, l984
Tarlow, Lois. ART NEW ENGLAND, January, l984 Cover Interview
Onorato, Ron. DRAWING SOCIETY REVIEW, November, l983.
McFadden, Sarah. ART IN AMERICA, May, l983.
Temin, Christine. BOSTON GLOBE, April 2l, l983.
Onorato, Ron. ART EXPRESS, May, l982.
Baker, Ken. BOSTON PHOENIX, January 18, 1982
Karson, Robin. ART NEW ENGLAND, June l98l.
Holland, Laura. THE VALLEY ADVOCATE, April 29, l98l.
Dickenson, Nancy. ART NEW ENGLAND, January, l981.
Fleming, Lee. NEW ART EXAMINER, December, l980.
Lewis, JoAnn. WASHINGTON POST, November, l980.
Forgey, Ben. WASHINGTON STAR, October, l980.
Temin, Christine. BOSTON GLOBE, September, l980.
Leja, Michael. ART IN AMERICA, January, l980.
Onorato, Ron. ARTFORUM, October, l979.
Taylor, Robert. BOSTON GLOBE, July 22, l979.
Everywhere Chidambaram, Nature Morte Books, New Delhi , 2003
Breaking the Boundaries, Hugh Davies and Ron Onorato, San Diego Museum of Contemporary Art, 1997
Making Sense: 5 Installations on Sensations, Patricia Phillips, Katonah Museum
of Art, NY, 1996
A Guide to Public Art in Boston, Marty Carlock, Harvard Common Press, 1993
Art and Dance, Elisabeth Sussman, Institute of Contemporary Art, Boston, 1982
City of New York, New York
Massachusetts Bay Transportation Authority
City of Boston Massachusetts
City of Baltimore Maryland
Williams College Museum of Art
San Diego Museum of Contemporary Art
Rose Art Museum, Brandeis University
University of Connecticut, Storrs
Prudential Insurance Company
University of Massachusetts, Amherst
Graham Gund and Associates