JEFFREY SCHIFF

  • bio
  • contact

W.P.A. Project

1980
graphite on walls, floors, ceiling
14′ x 31′ x 39′

Graphite powder was rubbed into the walls, ceiling, and carpeted floor to define a rectangular space in contrast to the trapezoidal shape of the extant gallery.

essays and reviews

URI Gallery
Jeffrey Schiff
Dec. 3 – 20, 1980

Jeffrey Schiff creates spaces in the most unlikely ways. Spaces within spaces, suggested by drawing – not a drawing that defines lines but planes. Even the planes here are evanescent as if Schiff delimits his special space by subtraction as much as by addition. The experience of standing within two spaces – one of which has an architectural reality and the other only a perceptual reality is singular in Schiff’s installations. The trace of gestures in the powdered graphite, the clean crispness of his edges and planes, the almost stark, meditative interior and the basic polarity of black and white all begin to clue us into an even more subtle group of dichotomies in Schiff’s work. Planes that exist or ones that are invisible, two planes co-terminous or contiguous with each other, one space, a square-ish court nestled within the boundaries (or almost nestled within the boundaries) of a more awkward, quirky space – these are some of the perceptual balances addressed by Schiff in the present installation.

Ronald J. Onorato
Assistant Professor of Art




 
Related Posts
collaboration with Aki Sasamoto
Colossus
Collaboration with Aki Sasamoto: Exit Art, NYC  2006 hotplates, extension cords, thimble, steel rod, rubber boots, speech The performer stands in rubber boots filled with water. She is surrounded by a dozen ...
READ MORE
Separate Ground
Separate Ground
Collection University of Massachusetts, Amherst  1983 granite boulder, concrete, fir 2.5' x 30' x 5' A square cast concrete well intersects an enormous stone boulder, framing a section of the boulder. This transitional ...
READ MORE
from L’Encyclopédie: Miroitier Photoworks
from L’Encyclopédie: Miroitier Photoworks
Collection City of New York  1997 Epson digital prints on paper, each 20"x15" Each object from the inventory in the Encyclopedia engravings is isolated as a solitary vignette by layering a nearly ...
READ MORE
Inscription 2
Inscriptions
READ MORE
Masterpiece
The Library Project: Masterpiece
digital print mounted on sintra and aluminum, 13 panels each 32" x 40" Masterpiece is a set of thirteen large digital prints of pages from the dictionary, in which highlighted words form ...
READ MORE
Istanbul Wall 
(39"x62")
reConstructions
2013-14 digital epson prints on paperPhotographs pinned one over another to rebuild the depicted walls.
READ MORE
Second Mesa
Second Mesa
Set for Douglas Dunn and Dancers Institute of Contemporary Art, Boston  1983 A collaboration with choreographer Douglas Dunn and composer John Driscoll, this commission from the I.C.A. encompassed the entire two floors ...
READ MORE
Second Sight
Second Sight
1983 plaster, fir 2.5' x 29' x 26' Inspired by Roman structures built upon abandoned Etruscan foundations, Second Sight is a space superimposed upon a space within the exhibition space. The specific topographic ...
READ MORE
Pedestals
Pedestals
painted wood, found objects
READ MORE
High Mesa
High Mesa
Rose Art Museum, Brandeis University  1986 fir, stone, concrete 18' x 23' x 23' A platform constructed within the gallery architecture, High Mesa is an archetypal artist's dwelling. A small boulder and cast ...
READ MORE
Colossus
Separate Ground
from L’Encyclopédie: Miroitier Photoworks
Inscriptions
The Library Project: Masterpiece
reConstructions
Second Mesa
Second Sight
Pedestals
High Mesa

  • Installations
    • Double Vision: Transactions of the American Philosophical SocietyDouble Vision: Transactions of the American Philosophical Society
    • The Library ProjectThe Library Project
    • from L’Encyclopédie: Miriotierfrom L’Encyclopédie: Miriotier
    • Mobile GlobalMobile Global
    • Vertical HoldVertical Hold
    • Potter’s FieldPotter’s Field
    • Everywhere ChidambaramEverywhere Chidambaram
    • Everyday ChidambaramEveryday Chidambaram
    • Sole ContactSole Contact
    • Earth AgainEarth Again
    • Deux Ex MachinaDeux Ex Machina
    • If Ever…If Ever…
    • Kill Van KullKill Van Kull
  • Public Commissions
    • DestinationsDestinations
    • Rail of JusticeRail of Justice
  • Sculpture
    • Carpet RubbleCarpet Rubble
    • ContingenciesContingencies
    • DisThermiaDisThermia
    • Lean-Tos and Floor-PilesLean-Tos and Floor-Piles
    • SchemataSchemata
    • EmbedsEmbeds
    • Casting BlocksCasting Blocks
    • KneelersKneelers
    • DevicesDevices
    • TransparenciesTransparencies
  • Performance
    • Praying ProjectPraying Project
    • ColossusColossus
    • Second MesaSecond Mesa
  • Interactivity
    • Sole ContactSole Contact
    • Potter’s FieldPotter’s Field
    • KneelersKneelers
    • Everywhere ChidambaramEverywhere Chidambaram
  • Photo Work
    • InterruptionsInterruptions
    • Contingencies: PhotoworksContingencies: Photoworks
    • reConstructionsreConstructions
    • from L’Encyclopédie: Miriotier Photoworksfrom L’Encyclopédie: Miriotier Photoworks
  • Drawings
    • Ink MapsInk Maps
    • Rome/Bologna DrawingsRome/Bologna Drawings
    • Bellagio Rockefeller DrawingsBellagio Rockefeller Drawings
    • The Library Project: YeastThe Library Project: Yeast
    • NetworksNetworks
    • Color MapsColor Maps
  • Archive
    • Odds and Ends
    • I.C.A. ProjectI.C.A. Project
    • W.P.A. ProjectW.P.A. Project
    • RevisionRevision
    • Second SightSecond Sight
    • A Courtyard, an Axis, an AmbulatoryA Courtyard, an Axis, an Ambulatory
    • High MesaHigh Mesa
    • New GroundNew Ground
    • Separate GroundSeparate Ground
    • O Sole MioO Sole Mio
    • If Ever…If Ever…
    • Second MesaSecond Mesa
    • PossessionsPossessions

W.P.A. Project

August 28, 2014 by jschiff@wesleyan.edu

1980
graphite on walls, floors, ceiling
14′ x 31′ x 39′

Graphite powder was rubbed into the walls, ceiling, and carpeted floor to define a rectangular space in contrast to the trapezoidal shape of the extant gallery.

essays and reviews

URI Gallery
Jeffrey Schiff
Dec. 3 – 20, 1980

Jeffrey Schiff creates spaces in the most unlikely ways. Spaces within spaces, suggested by drawing – not a drawing that defines lines but planes. Even the planes here are evanescent as if Schiff delimits his special space by subtraction as much as by addition. The experience of standing within two spaces – one of which has an architectural reality and the other only a perceptual reality is singular in Schiff’s installations. The trace of gestures in the powdered graphite, the clean crispness of his edges and planes, the almost stark, meditative interior and the basic polarity of black and white all begin to clue us into an even more subtle group of dichotomies in Schiff’s work. Planes that exist or ones that are invisible, two planes co-terminous or contiguous with each other, one space, a square-ish court nestled within the boundaries (or almost nestled within the boundaries) of a more awkward, quirky space – these are some of the perceptual balances addressed by Schiff in the present installation.

Ronald J. Onorato
Assistant Professor of Art




 

You May Also Like

Inscriptions
Embeds
Casting Blocks

Copyright © 2026 · Genesis Framework · WordPress · Log in