JEFFREY SCHIFF

  • bio
  • contact

W.P.A. Project

1980
graphite on walls, floors, ceiling
14′ x 31′ x 39′

Graphite powder was rubbed into the walls, ceiling, and carpeted floor to define a rectangular space in contrast to the trapezoidal shape of the extant gallery.

essays and reviews

URI Gallery
Jeffrey Schiff
Dec. 3 – 20, 1980

Jeffrey Schiff creates spaces in the most unlikely ways. Spaces within spaces, suggested by drawing – not a drawing that defines lines but planes. Even the planes here are evanescent as if Schiff delimits his special space by subtraction as much as by addition. The experience of standing within two spaces – one of which has an architectural reality and the other only a perceptual reality is singular in Schiff’s installations. The trace of gestures in the powdered graphite, the clean crispness of his edges and planes, the almost stark, meditative interior and the basic polarity of black and white all begin to clue us into an even more subtle group of dichotomies in Schiff’s work. Planes that exist or ones that are invisible, two planes co-terminous or contiguous with each other, one space, a square-ish court nestled within the boundaries (or almost nestled within the boundaries) of a more awkward, quirky space – these are some of the perceptual balances addressed by Schiff in the present installation.

Ronald J. Onorato
Assistant Professor of Art




 
Related Posts
The Library Project: Yeast
The Library Project: Yeast
ink on paper 10' x 12' Yeast is a diagram that examines the computerized keyword access system that has replaced the card catalog. This is a large chart that traces the pathways ...
READ MORE
Shattered
Shattered
2011-12 terra cotta, hydrocal Shattered terra cotta urns from Terra Cotta Incognito mounted on hydrocal slabs.
READ MORE
Separate Ground
Separate Ground
Collection University of Massachusetts, Amherst  1983 granite boulder, concrete, fir 2.5' x 30' x 5' A square cast concrete well intersects an enormous stone boulder, framing a section of the boulder. This transitional ...
READ MORE
Inscription 2
Inscriptions
READ MORE
Excavations (detail)
The Library Project: Excavations
2003 2 cases, each 40"x72"x28" Excavations uses the typical glass display cases used to exhibit books in libraries everywhere. These cases usually open a book to exhibit one selected spread, leaving the ...
READ MORE
Color Maps
Color Maps
12"x16" Flashe paint on paper  
READ MORE
collaboration with Aki Sasamoto
Praying Project
Collaboration with Aki Sasamoto Exit Art, NYC  2005 Block of soap with puja offerings, water, brass bowl, speech A performative extension of Everything Chidambaram, a large block of soap cast with puja offering ...
READ MORE
Everyday Chidambaram
Everyday Chidambaram
1998-2002 black granite, household objects (soap, plastic kitchenware, sponge, etc. Variable Dimensions In Everyday Chidambaram, granite plinths, based on details of Indian temple architecture, were customized to house the disposable objects of daily rituals—plastic ...
READ MORE
collaboration with Aki Sasamoto
Colossus
Collaboration with Aki Sasamoto: Exit Art, NYC  2006 hotplates, extension cords, thimble, steel rod, rubber boots, speech The performer stands in rubber boots filled with water. She is surrounded by a dozen ...
READ MORE
Double Vision: Propositon #14 
(64"x49"x24")
Double Vision: Transactions of the American Philosophical Society
Zilkha Gallery, Wesleyan University  2011Double Vision is a 5-part project that exposes how unconscious projections from America’s colonial origins shape perceptions of its current reality. In 1786, one year before the ...
READ MORE
The Library Project: Yeast
Shattered
Separate Ground
Inscriptions
The Library Project: Excavations
Color Maps
Praying Project
Everyday Chidambaram
Colossus
Double Vision: Transactions of the American Philosophical Society

  • Installations
    • Double Vision: Transactions of the American Philosophical SocietyDouble Vision: Transactions of the American Philosophical Society
    • The Library ProjectThe Library Project
    • from L’Encyclopédie: Miriotierfrom L’Encyclopédie: Miriotier
    • Mobile GlobalMobile Global
    • Vertical HoldVertical Hold
    • Potter’s FieldPotter’s Field
    • Everywhere ChidambaramEverywhere Chidambaram
    • Everyday ChidambaramEveryday Chidambaram
    • Sole ContactSole Contact
    • Earth AgainEarth Again
    • Deux Ex MachinaDeux Ex Machina
    • If Ever…If Ever…
    • Kill Van KullKill Van Kull
  • Public Commissions
    • DestinationsDestinations
    • Rail of JusticeRail of Justice
  • Sculpture
    • Carpet RubbleCarpet Rubble
    • ContingenciesContingencies
    • DisThermiaDisThermia
    • Lean-Tos and Floor-PilesLean-Tos and Floor-Piles
    • SchemataSchemata
    • EmbedsEmbeds
    • Casting BlocksCasting Blocks
    • KneelersKneelers
    • DevicesDevices
    • TransparenciesTransparencies
  • Performance
    • Praying ProjectPraying Project
    • ColossusColossus
    • Second MesaSecond Mesa
  • Interactivity
    • Sole ContactSole Contact
    • Potter’s FieldPotter’s Field
    • KneelersKneelers
    • Everywhere ChidambaramEverywhere Chidambaram
  • Photo Work
    • InterruptionsInterruptions
    • Contingencies: PhotoworksContingencies: Photoworks
    • reConstructionsreConstructions
    • from L’Encyclopédie: Miriotier Photoworksfrom L’Encyclopédie: Miriotier Photoworks
  • Drawings
    • Ink MapsInk Maps
    • Rome/Bologna DrawingsRome/Bologna Drawings
    • Bellagio Rockefeller DrawingsBellagio Rockefeller Drawings
    • The Library Project: YeastThe Library Project: Yeast
    • NetworksNetworks
    • Color MapsColor Maps
  • Archive
    • Odds and Ends
    • I.C.A. ProjectI.C.A. Project
    • W.P.A. ProjectW.P.A. Project
    • RevisionRevision
    • Second SightSecond Sight
    • A Courtyard, an Axis, an AmbulatoryA Courtyard, an Axis, an Ambulatory
    • High MesaHigh Mesa
    • New GroundNew Ground
    • Separate GroundSeparate Ground
    • O Sole MioO Sole Mio
    • If Ever…If Ever…
    • Second MesaSecond Mesa
    • PossessionsPossessions

W.P.A. Project

August 28, 2014 by jschiff@wesleyan.edu

1980
graphite on walls, floors, ceiling
14′ x 31′ x 39′

Graphite powder was rubbed into the walls, ceiling, and carpeted floor to define a rectangular space in contrast to the trapezoidal shape of the extant gallery.

essays and reviews

URI Gallery
Jeffrey Schiff
Dec. 3 – 20, 1980

Jeffrey Schiff creates spaces in the most unlikely ways. Spaces within spaces, suggested by drawing – not a drawing that defines lines but planes. Even the planes here are evanescent as if Schiff delimits his special space by subtraction as much as by addition. The experience of standing within two spaces – one of which has an architectural reality and the other only a perceptual reality is singular in Schiff’s installations. The trace of gestures in the powdered graphite, the clean crispness of his edges and planes, the almost stark, meditative interior and the basic polarity of black and white all begin to clue us into an even more subtle group of dichotomies in Schiff’s work. Planes that exist or ones that are invisible, two planes co-terminous or contiguous with each other, one space, a square-ish court nestled within the boundaries (or almost nestled within the boundaries) of a more awkward, quirky space – these are some of the perceptual balances addressed by Schiff in the present installation.

Ronald J. Onorato
Assistant Professor of Art




 

You May Also Like

Inscriptions
Embeds
Casting Blocks

Copyright © 2026 · Genesis Framework · WordPress · Log in