JEFFREY SCHIFF

  • bio
  • contact

Rail of Justice

Superior Courthouse, New Britain, CT  2008
granite, stainless steel, brass, concrete, epoxy
3.2′ x 35′ x 45′

Stainless steel lines in the pavement come from all directions to converge on a dark granite circle in the concrete plaza. Within the circle, the crisscrossing lines represent intersecting paths at cross-purposes—the inevitable conflicts the courts must adjudicate. Each line rises from the ground as a three-dimensional diagonal that holds up a segment of the circular handrail—the complete circle that symbolizes the consensus we citizens share and abide by in a civil society. The full circle of the handrail is supported, both structurally and symbolically, by the multiple lines rising from the ground-plane.

essays and reviews

The radiating lines in the concrete pavement draw the visitor toward the Rail of Justice. The visitor—whether judge, juror, plaintiff, or defendant—is encouraged to grasp the rail as he/she enters or exits the courthouse, ritually affirming a connection with our justice system. With hands on the Rail, the citizen sees inside the circle a contained image of social exchange and conflict—the disorder that is an inevitable part of our free society. In this way he/she physically confirms his/her own part in the mutual agreement to live by law in a system constructed for and by the people.

Commissioned by the Connecticut Commission on Culture and Tourism and the Department of Public Works.










 
Related Posts
Earth Again
Earth Again
Zilkha Gallery, Wesleyan University  1996 cotton wick, raw terra cotta, and steel 24' x 21' x 19' Earth Again was inspired by the poem of the same name by Czeslaw Milosz, which describes ...
READ MORE
Earth Again

Related Projects

  • Earth Again
  • Installations
    • Double Vision: Transactions of the American Philosophical SocietyDouble Vision: Transactions of the American Philosophical Society
    • The Library ProjectThe Library Project
    • from L’Encyclopédie: Miriotierfrom L’Encyclopédie: Miriotier
    • Mobile GlobalMobile Global
    • Vertical HoldVertical Hold
    • Potter’s FieldPotter’s Field
    • Everywhere ChidambaramEverywhere Chidambaram
    • Everyday ChidambaramEveryday Chidambaram
    • Sole ContactSole Contact
    • Earth AgainEarth Again
    • Deux Ex MachinaDeux Ex Machina
    • If Ever…If Ever…
    • Kill Van KullKill Van Kull
  • Public Commissions
    • DestinationsDestinations
    • Rail of JusticeRail of Justice
  • Sculpture
    • Carpet RubbleCarpet Rubble
    • ContingenciesContingencies
    • DisThermiaDisThermia
    • Lean-Tos and Floor-PilesLean-Tos and Floor-Piles
    • SchemataSchemata
    • EmbedsEmbeds
    • Casting BlocksCasting Blocks
    • KneelersKneelers
    • DevicesDevices
    • TransparenciesTransparencies
  • Performance
    • Praying ProjectPraying Project
    • ColossusColossus
    • Second MesaSecond Mesa
  • Interactivity
    • Sole ContactSole Contact
    • Potter’s FieldPotter’s Field
    • KneelersKneelers
    • Everywhere ChidambaramEverywhere Chidambaram
  • Photo Work
    • InterruptionsInterruptions
    • Contingencies: PhotoworksContingencies: Photoworks
    • reConstructionsreConstructions
    • from L’Encyclopédie: Miriotier Photoworksfrom L’Encyclopédie: Miriotier Photoworks
  • Drawings
    • Ink MapsInk Maps
    • Rome/Bologna DrawingsRome/Bologna Drawings
    • Bellagio Rockefeller DrawingsBellagio Rockefeller Drawings
    • The Library Project: YeastThe Library Project: Yeast
    • NetworksNetworks
    • Color MapsColor Maps
  • Archive
    • Odds and Ends
    • I.C.A. ProjectI.C.A. Project
    • W.P.A. ProjectW.P.A. Project
    • RevisionRevision
    • Second SightSecond Sight
    • A Courtyard, an Axis, an AmbulatoryA Courtyard, an Axis, an Ambulatory
    • High MesaHigh Mesa
    • New GroundNew Ground
    • Separate GroundSeparate Ground
    • O Sole MioO Sole Mio
    • If Ever…If Ever…
    • Second MesaSecond Mesa
    • PossessionsPossessions

Rail of Justice

June 13, 2014 by jschiff@wesleyan.edu

Superior Courthouse, New Britain, CT  2008
granite, stainless steel, brass, concrete, epoxy
3.2′ x 35′ x 45′

Stainless steel lines in the pavement come from all directions to converge on a dark granite circle in the concrete plaza. Within the circle, the crisscrossing lines represent intersecting paths at cross-purposes—the inevitable conflicts the courts must adjudicate. Each line rises from the ground as a three-dimensional diagonal that holds up a segment of the circular handrail—the complete circle that symbolizes the consensus we citizens share and abide by in a civil society. The full circle of the handrail is supported, both structurally and symbolically, by the multiple lines rising from the ground-plane.

essays and reviews

The radiating lines in the concrete pavement draw the visitor toward the Rail of Justice. The visitor—whether judge, juror, plaintiff, or defendant—is encouraged to grasp the rail as he/she enters or exits the courthouse, ritually affirming a connection with our justice system. With hands on the Rail, the citizen sees inside the circle a contained image of social exchange and conflict—the disorder that is an inevitable part of our free society. In this way he/she physically confirms his/her own part in the mutual agreement to live by law in a system constructed for and by the people.

Commissioned by the Connecticut Commission on Culture and Tourism and the Department of Public Works.










 

You May Also Like

Earth Again
Inscriptions
Carpet Rubble

Copyright © 2025 · Genesis Framework · WordPress · Log in